A lush green oasis in the heart of downtown Honolulu provides
public inspiration, nourishment, education, and is available as a
setting for special occasions. Stop by for breakfast or lunch,
step into 19th century atmosphere binding the past with the
present, and you just might find your perspectives expanding.
"I believe public programming remains our true purpose for
existing," the president of the Hawaiian Mission Children's
Society said at the group's recent annual meeting on the grounds
of its 19th century residences and related buildings at 553 South
King Street.
This meeting occurs on a Saturday in April, close to the 1820 date
the first pioneer missionaries arrived in Honolulu from New
England. Descendents, who refer to each other as "Cousin," gather
to see who's here, find out how we're doing, sing our traditional
songs, and walk away with an uplifted heart. The only comparable
thing I've experienced is an private eastern college alumni
reunion. (Cousins even resemble easterners--not surprising,
considering their gene stock.)
This was our 157th Annual Meeting. The ceremonies: a prayer from
the pastor of neighboring Kawaiaha'o church (early missionaries
are in the graveyard), reports by officers and staff, and
elections, were like buildups to the competitive part. We felt a
rising kid-like excitement under the tent: people looking around,
smiling and nodding at each other.
One Cousin stepped forward, rang a sailing ship's bell and
hollered: "Roll Call." He read the name of the first ship to
carry missionaries to Hawaii: "The Thaddeus , April 14, 1820." As
he called out names of the missionaries who were on board, their
descendents stood to be counted.
He discovered who was the oldest missionary descendant present
this year--it was a 98-year-old lady who waved gaily to us all
from her wheelchair. Then he ascertained who was the youngest--a
babe in arms.
Competition for the largest number of family members present has
been keen over the years. (The largest group was in 1941, when one
family, celebrating the centennial of their ancestors' arrival,
mustered 77.) As we waited for luncheon in the café, a
middle-aged women exulted "we won"! She was one of 16 present
from her family. A number of persons represented four families of
missionary stock. (Missionaries coming to Hawaii weren't real
"cousins," ergo, they intermarried; the familiar term was derived
much later.)
Singing, probably the most emotionally moving part of the
ceremony, included three songs that have become Hawaii's "Cousin
Society" ritutal. These express missionary zeal, concern for each
other, and the development of Hawaii into becoming missionaries'
beloved homeland.
Missionary Zeal
The Second Great Religious Awakening occurred when our missionary
ancestors were at highly impressionable ages. In the view of
Charles Grandison Finney, one of America's most successful
revivalists, who was in his twenties and a graduate of what is now
upstate New York’s Hamilton College, Christ's death satisfied
public justice rather than retributive justice. Finney's
understanding of the atonement was that it opened the way for God
to pardon people of their sin. He proposed "disjunction" a concept
that was currently acquiring vitality in romantic literature: the
heart versus the head, emotion versus intellect. This was a
departure from stern Calvinism.
Finney's most controversial new measures were public praying of
women in mixed-sex audiences, use of colloquial language, praying
for people by name, and immediate church membership for converts.
Young people were inspired by missionary words in Reginald Heber's
hymn written in 1819, part of the Cousins Society's repertoire:
From Greenland's Ice Mounains
From India's Coral Strand,
From many an ancient River
From many a palmy plain,
They call us to deliver
Their land from error's chain.
(Heber also wrote lyrics to the most widely recognized hymn of the
last 150 years: "Holy, Holy, Holy." The idealistic, "world-saving
inspiration" expressed by Heber, rose to a fervor again in 1961
when John F. Kenney called on Americans to enlist in the Peace
Corps as a non-military response to Chinese and Soviet Communistic
thrusts into the Third World. Hawaii's missionary were primarily
idealistic young people-and not all were ministers. Example,
Elisha Loomis from upstate New York was a printer who published
Hawaii’s first books on a replica of the press operated at the
Mission House.
My great-grandmother Sarah Joiner of Royalton, Vermont, heard
Finney preach in Boston. Stirred by his enthusiastic religion and
revivalism she immediately decided to become a missionary. She
went to the meeting with Henry Lyman, but needed a husband--the
missionary society wanted only married couples. Henry suggested
his brother David Belden Lyman. David wanted to be a missionary to
the Indians in western New York. David and Sara quickly married,
the Mission Board decided they should bring God to Hawaiians and
they left Boston on almost a six-month board ride arriving in
Honolulu, ending in Hilo where the Lyman Museum commemorates their
work.
We always sing "Blest Be The Tie That Binds," words by John
Fawcett words, (1782) music by Hans Naegeli. This is thought of as
“the Hawaii missionaries' theme song,” it expresses love and concern for each other.
We finish with "Hawai'i Aloha" (Beloved Hawaii), words by the Big
Island’s Rev. Lorenzo Lyons (1859). The melody is from a Scottish
hymn "I Left It All With Jesus," and the song expresses
allegiance to Hawaii as our earthly home.
Serving the Public: Hawaii's Mission Society's varied public programming includes walking tours of Hawaii's Capital Cultural District, printing press demonstration, and special exhibits. Noon-time lectures are held the first Tuesday of every (bring lunch or pick up something at the museum's café). It is featuring Hawaiian flag quilts legacy of patriotism (July 10 to Sept. 12). On site programs range within pre-school to grade eight and meet Hawaii State Standards for Social Studies. Outreach programs include a costumed educator who introduces aspects of the early 19th century and presents hands on activities. Find out what's happening on the website: http://www.missionhouses.org
J. Arthur Rath III is a Hawaii writer who can be reached by e-mail at mailto:imua@spamarrest.com
To submit a story to the Slice of Life, Hawaiian Style series, write to Malia Zimmerman, editor of Hawaii Reporter, at mailto:Malia@hawaiireporter.com